The Poets’ Birds: Blackbirds

Meet Isoceles, the grackle with the triangular perch

 

Strictly speaking, this handsome bird is a grackle rather than a blackbird: specifically, a boat-tailed grackle (Quiscalus major). Often seen along the Gulf coast, it can be distinguished from the common grackle by its dark eyes; common grackles’ eyes tend to be a bright yellowish-gold.

Ogden Nash once wrote a humorous if not entirely complimentary little ditty for the grackle, but the stately demeanor of this bird seemed to demand something more. Wallace Stevens was able to describe “Thirteen Ways of Looking at a Blackbird,” and these four ways especially appeal to me:

 

I
Among twenty snowy mountains,
The only moving thing
Was the eye of the blackbird.   

II
I was of three minds,
Like a tree
In which there are three blackbirds.   

III
The blackbird whirled in the autumn winds.
It was a small part of the pantomime.   

V
I do not know which to prefer,
The beauty of inflections
Or the beauty of innuendoes,
The blackbird whistling
Or just after.   

Comments always are welcome.

 

The Poets’ Birds: Vultures

Turkey vultures (Cathartes aura) ~ Brazoria Wildlife Refuge

There’s nothing unusual about seeing vultures in Texas, but a pair of turkey vultures taking the sun on a gently disintegrating windmill seemed worth the stop.

By the time I’d stepped out of the car, one of the birds already was giving me the side-eye. The reason for his attention was obvious; if I were going to expire on the side of the road, he didn’t want to miss an easy meal.

His cautious but coolly calculating expression amused me immensely. There on the spot, I composed a bit of verse for him:

The vulture high atop his tree
will look and look  – what does he see?
Of course he’d like to eat for free;
I hope he doesn’t relish me!

Occasionally a website or tabloid will try to pull in readers with an attack-vulture story, but vultures aren’t designed to attack human beings. Several species, including the turkey vulture, will eat small, live prey from time to time, but they’ve evolved to feed primarily on carrion, and help to keep the environment clean by ridding it of dead animals. 

Still, their habits elicit a certain revulsion, and occasionally an almost superstitious reaction. “Don’t stop walking,” an old Texas rancher once said to me. “You don’t want to tempt them.”

 

In a poem he titled “Vulture,” Robinson Jeffers (1887–1962) imagines what it would be like to stop walking, and tempt such a bird.

Jeffers promoted a philosophy he called “inhumanism” — a view of things in which nature “not only serves as a backdrop for verse,  but animals and natural objects frequently are compared to man, with man shown to be the inferior.” It’s a perspective that influenced other California poets, such as Gary Snyder, and although the “merging with nature” that Jeffers imagines here is less sentimental and far more graphic than that portrayed in many poems, it certainly is memorable. I suspect my vultures would like it.

 

I had walked since dawn and lay down to rest on a bare hillside
Above the ocean. I saw through half-shut eyelids a vulture wheeling
high up in heaven,
And presently it passed again, but lower and nearer, its orbit
narrowing.
I understood then
That I was under inspection. I lay death-still and heard the flight-
feathers
Whistle above me and make their circle and come nearer.
I could see the naked red head between the great wings
Bear downward, staring. I said, ‘My dear bird, we are wasting time
here.
These old bones will still work; they are not for you.’ But how
beautiful
he looked, gliding down
On those great sails; how beautiful he looked, veering away in the
sea-light
over the precipice. I tell you solemnly
That I was sorry to have disappointed him. To be eaten by that beak
and
become part of him, to share those wings and those eyes–
What a sublime end of one’s body, what an enskyment; what a life
after death.

 

 

Comments always are welcome.

 

Watered In

High and still dry

In the end, practicality won out over aesthetic appeal, and the powers-that-be installed recycled plastic benches along our marina’s walkways.

Less attractive but more comfortable than the previous teak and metal benches, they serve their purpose admirably. Dog walkers, boaters, sunset-watchers, and elderly residents who’ve misjudged their stamina vie for empty spots. Friendly though the competition may be, it’s competition nonetheless.

Learning to “Cowgirl Up”

Ready to Ride

If that’s a “YeeeeeHaw!” echoing down the corridors of your Fortune 500 company, or the distinctive click of boot heels tapping across polished granite toward the exit, there’s no question what’s happening. It’s Rodeo time in Houston.

Founded in 1931, the Houston Fat Stock Show & Exposition eventually became the Houston Livestock Show & Rodeo, but for most Houstonians, it’s just the Rodeo: a mélange of trail rides, barbeque, bronc riding, , baby animals, wine tastings, quilt exhibits, livestock auctions, concerts, and calf scrambles that truly has something for everyone.

On Artifice In Spring

Spring’s First Paintbrush (Castilleja indivisa)

Gild
lilies
if you must.
Fit filigree
‘round stem or stamen,
re-saturate the sky.
  Pretend your dew be diamonds,
your webs a finer silk. Yet Spring —
her breeze, her birds and brooks — still breathes this
quiet wisdom: “What is, is good enough.”

The Poets’ Birds: Cranes

Sandhill cranes ~ Brazoria County, Texas

I call my wife outdoors to have her listen,
to turn her ears upward, beyond the cloud-veiled
sky where the moon dances thin light,
to tell her, “Don’t hear the cars on the freeway—

it’s not the truck-rumble. It is and is not
the sirens.” She stands there, on deck
a rocking boat, wanting to please the captain
who would have her hear the inaudible.

Her eyes, so blue the day sky is envious,
fix blackly on me, her mouth poised on question
like a stone. But, she hears, after all.

January on the Gulf,
warm wind washing over us,
we stand chilled in the winter of those voices.

                                “The Cranes, Texas January” ~ Mark Sanders

Rough, raw — nearly indescribable — the sound of their call alerts me to their presence. On the open prairie, they tease even the most dedicated seeker, bobbing and bending among the grasses: oblivious to our longings.

Still, they comfort. Their hidden voices echo grace and beauty; the rhythms of their beating wings carry on the wind. “Listen,” they seem to say. “We have come, and soon will leave, but for this time, we offer you our world.”

Comments always are welcome. Unless otherwise noted, photos are mine.  Thanks to reader Bob Freeman, who pointed me to the poem.

Panhandle Pandemonium

Grain Elevator in Floydada, Texas

Long, long ago, before the arrival of the VCR — let alone Netflix and TiVo — there was something called the summer re-run. It offered a chance to view episodes of television programs missed during the year or, if the offerings were good enough, to see them again. 

Whether you’ve read this “re-run” or whether you haven’t, I hope you enjoy the story and the song as much as I do, every time I remember it.

Floydada, Texas is cotton country, although it’s also known for good pumpkins, and likes to advertise itself as the Pumpkin Capital of the US.

It’s a flat, expansive piece of Panhandle real estate, a land marked by impossibly distant horizons and days barely distinguishable one from another. Strangers develop a habit of looking around, as if to orient themselves. Even Texans who’ve grown up with the wind, the dust, and the storms say it aloud now and then, as if to remind themselves: “This place will run you nuts, if you let it.”