A Rising Green

Brazoria National Wildlife Refuge, February 2, 2017

After weeks of fruitless horizon-scanning and radar-consulting, the roiling smoke plume rising over the southwestern horizon seemed promising. Before long, I’d found confirmation: a scheduled burn at the Brazoria Wildlife Refuge was underway, and the section being burned would be accessible by road.

February 2

I’d been hoping to visit a native prairie after a prescribed burn, and my opportunity had arrived. The January 31 burn, carried out under the supervision of the Texas Mid-Coast fire crew on 515 acres of land, would be accessible via Hoskins Mound Road, my usual route to the Brazoria refuge.

When I arrived at the refuge on February 2, a portion of the world I’d known there appeared to have been obliterated.

February 2

Donning boots to work my way across the prairie, I found the combination of ash, scorched stems, crawfish remnants, and brittle, broken reeds adding to a sense of other-worldliness. Here and there, bits of human detritus lay revealed. Among the beer cans, I found a tiny, ruby glass bottle, embossed “Segovia.” Plucking it from the ashes, I tucked it in my pocket.

Even wetlands hadn’t stopped the fire. A familiar stand of cattails and rushes had been scorched and thinned as surely as the grasses.

February 2

Still, the water also had provided protection. Wading into the slough, I found bits of growing grass breaking the surface of the water, and round-leaved plants just below. The juxtaposition of this green and growing world with the surrounding ash-covered prairie was remarkable. How soon, I wondered, might the prairie itself begin to recover?

February 2

For two months, I traveled to my bit of prairie on a weekly basis: photographing, sketching, and recording observations. In time, I’ll write about that experience in more detail — including the story of the flora that turned out to be fauna.  But while the science of it all — the rationale for prescribed burns, and their remarkable results — is worth sharing, the miraculous aspects of regrowth are equally compelling.

As the weeks passed, I found myself remembering a lovely hymn written by John MacLeod Crum (1872-1958). Set to the popular 15th century French carol melody, Noël Nouvelet, it was added to the Oxford Book of Carols in 1928: the year Crum began serving as Canon of Canterbury. 

The song pairs perfectly with my images of a green and growing prairie, just as it points to the improbable beauty of Easter. In the end, whatever we believe, or don’t, about the historicity of those events, this much is clear: miracles do happen. For proof, we need only look to the prairie.

  

(Click to hear Stephanie Seefeldt’s version of “Now the Green Blade Rises”)

Now the green blade rises from the buried grain,
Wheat that in dark earth many days has lain;
February 5
Love lives again, that with the dead has been:
Love is come again, like wheat arising green.
February 12
In the grave they laid him, Love by hatred slain,
Thinking that he would never wake again,
February 12
Laid in the earth like grain that sleeps unseen:
Love is come again, like wheat arising green.
February 12
Forth he came at Easter, like the risen grain,
He that for three days in the grave had lain;
February 18
Raised from the dead, my living lord is seen
Love is come again, like wheat arising green.
February 18
When our hearts are wintry, grieving or in pain,
March 19
Your touch can call us back to life again;
March 19
Fields of our hearts that dead and bare have been:
March 19
Love is come again, like wheat arising green.
March 19
Love lives again, that with the dead has been:
March 28
Love is come again, like wheat arising green.

Comments always are welcome.