René Magritte ~ ‘Marche des Snobs’ sheet music cover (1924)
Prejudice can be difficult to witness or to experience. Its various forms — sexism, ageism, and racism, among others — can erode relationships and destroy communities. Prejudice helps to lay the foundation for religious intolerance and class envy. It colors discussions of politics, and often renders problematic the most well-intentioned attempts at conflict resolution. Even minor irritants like social snobbery and cliquish behavior evince prejudice.
I suppose all of us are prejudiced in one way or another, but in a wonderful bit of irony, none of us wishes to appear so. It’s simply who we are. Continue reading
To my parents’ chagrin, I was a climber. Long before I walked across a room, I was climbing stairs. I clambered over picket fences as easily as those woven from wire. After I scaled Mt. Refrigerator, on a quest to reach the chocolate chips hidden away in the highest cupboard in the house, Mother laid down the law. If I wanted to climb, I would do it outside, in the trees.
No doubt she knew the maples in our front yard were too large for me to climb, just as the crabapples were too small, and the elms too brittle. But a cherry tree in the back yard turned out to be just right, with strong lower branches, and a sandbox nearby to use as a ladder. An agreement was reached. Once the fruit had been picked, I was free to scramble up as high as I could go, until branches began to snap. Then, I promised to retreat to a more secure spot. Continue reading
Given an opportunity to read Graham Greene on the veranda of the City Hotel in Freetown, Sierra Leone, I found it impossible to resist. What better place to take up a battered, second-hand copy of The Heart of the Matter and indulge in a bit of literary romanticism?
Greene, who spent time in Freetown both as a traveler and as a British intelligence officer during WWII, drew on his experiences at the hotel in a variety of ways. In Journey Without Maps, an account of his month-long foot trek through Liberia in 1935, he described a place and a way of life still recognizable forty years later.
For weeks I’ve watched my blogging friend Proserpina entice her readers into accepting a simple concept – color-based blogs – and encourage them to help create a rich and expressive tapestry of personal preference. “Here is a color,” she says. “Here are its qualities. Here are some references to it in history and the arts. Does it remind you of something? How do you feel about it? How has it decorated your life?”
Such simple questions, and yet the answers she receives build one upon another to form patterns of exquisite complexity. Readers contribute images of famous paintings, or their grandchild’s refrigerator art. They bring limericks and literature, poetry, personal photographs of beloved objects, memories from days of long-past travel and dreamscapes from journeys yet to come.
With each new color, discoveries are made. When Proserpina designated “Blue” as her first color, I was a bit disappointed. I’ve always considered blue to be my least favorite color and yet as images, videos and snippets of literature were posted, I realized “blue” is too general a term. While I dislike the primary blue of the color wheel, powder blue baby blankets, navy blue and electric blue, I wear denim and covet turquoise jewelry. I’ve reveled in the azure, aqua and cerulean of Carribbean waters and will sit for hours watching the smokey indigo of disappearing sunsets. Clearly, there are distinctions to be made. Continue reading
This post has been revised and reposted under the title “Victor Hugo’s New Notre Dame.” Please click here to read the revised post.