Northern Mockingbird (Mimus polyglottos) on Galveston Island
My mother noticed the sound first, drawing my attention to it with a question. “How do you suppose a duck got up on the roof?”
Surprised, I looked around. “Duck? Where do you see a duck?” “I don’t see a duck,” she said. “I hear a duck.” Listening, I realized she was right. The duck’s quacking, loud and insistent, seemed to be coming from above — if not from the roof, then from one of the overhanging trees.
Of course ducks fly, but we lived among mallards, and I’d never seen one perch higher than ground-level. Intrigued, I followed the sound. Caught up in a racket of its own making, the bird never moved, making it easy to spot. “Look at this,” I said. “Someone’s been hanging out around the water.”
It was a mockingbird on a corner of the roof, engaged in a pitch-perfect imitation of our local mallards. Rather than changing its song from time to time, as mockingbirds do, it simply quacked on, perhaps so delighted with its new ability it couldn’t bring itself to stop.
Eventually our amusement faded, but in the coming weeks and months I found myself listening to mockingbirds more closely, picking out snippets of other birds’ calls and songs from their repertoire.
Then, three years ago, a particularly enthusiastic singer moved into my neighborhood. He sang at dawn, and he sang at sunset; he sang at noon and, rather remarkably, he sang at midnight. I thought his night-singing an anomaly until I read this, in the Audubon Field Guide:
This bird’s famous song, with its varied repetitions and artful imitations, is heard all day during nesting season (and often all night as well).
There’s no way to prove that the same bird has been singing outside my window for three years, but it can’t be denied that he always chooses the same palm tree, and no matter how much singing he’s done, he always begins again between 3 and 4 a.m.
Because of the way the buildings are placed, they seem to amplify his sound, increasing the volume to such a degree that even closed windows are no defense.
After recently being sung awake three nights in a row with no practical way to silence the bird — or any real desire to do so — I decided to add the mockingbird to my series of poets’ birds. This time, I wrote the poem, smiling all the while.
and mallard alike,
the impudent singer
stretches and preens for a still
unseen mate: improvised warbles,
chirrups, and peeps enticing the world
to his sweet-feathered, palm-hidden presence.
Comments always are welcome.
For more information on the Etheree, a syllabic poem that, in its basic form, contains ten lines and a total of fifty-five syllables, please click here.