Unless you’ve been living under the proverbial rock, you’ve no doubt noticed that things in our nation have been a little chaotic of late. Confrontation, confusion, accusations and counter-accusations: all have played a role in roiling the civic waters. As one of my dear Southern friends likes to say, “I’m plumb wore out.” Continue reading
For nearly two centuries, the legacy of Missouri’s Benton family has continued to spread.
Maecenas Benton, United States Attorney (1885-1889) and Congressional Representative from Missouri (1897-1905) happened to be the father of Thomas Hart Benton, American regionalist painter and muralist.
Crystal Bridges Museum of American Art, which houses many of his paintings, is located in Bentonville, Arkansas, a town named in honor of his great-great-uncle Thomas Hart Benton, a five-term Missouri senator whose efforts on behalf of Arkansas statehood were substantial. After the first county in Arkansas was named “Benton” as a tribute to the Senator, the site designated as the county seat became known as Bentonville.
Arkansas wasn’t the only state that profited from Senator Benton’s attentions. Only six months after Arkansas’s [¹] 1836 admittance to the Union, Michigan became the next state to join. Benton Township was established there on March 11, 1837, and in 1865, one of the first towns in the area, Brunson Harbor, became Benton Harbor: also in tribute to the Missouri Senator who helped Michigan achieve statehood. Continue reading
To undertake a westward journey on any early American trail — to begin life on the Oregon or Santa Fe, the Mormon or Gila — necessarily demanded the acceptance of difficulties.
From accounts in pioneer diaries, scientific notebooks, and letters written to family and friends, it seems that Indian raids, horse rustling, gunfights, and buffalo stampedes were the least of it. More often, quotidian challenges became the undoing of even the strongest traveler. Mired wagons; swarming insects; meal after meal of crackers and tea; the combination of overpowering thirst and stagnant, disease-ridden water; all these demanded remarkable levels of commitment and persistence.
we might have missed such
clouds; such silent, feathered
gliding down hidden, sharp-edged
currents; such easy slope toward night.
Had this breeze not risen, there might have
been no falling, nor memories at all.
Comments always are welcome.
Newer readers might not be familiar with one of my favorite poetic forms: the Etheree, a syllabic poem containing, in its basic form, ten lines and a total of fifty-five syllables. For more information about the form, please click here.
Oh, large, brown, thickly feathered creature
with a distinctive white head,
you, perched on the top branch
of a tree near the lake shore,
as soon as I guide this boat back to the dock
and walk up the grassy path to the house,
before I unzip my windbreaker
and lift the binoculars from around my neck,
before I wash the gasoline from my hands,
before I tell anyone I’m back,
and before I hang the ignition key on its nail,
or pour myself a drink—
I’m thinking a vodka soda with lemon—
I will look you up in my
illustrated guide to North American birds
and I promise I will learn what you are called.
“Osprey” ~ Billy Collins
Comments are welcome. For more information on Collins, a former United States Poet Laureate, please click here.
With no rain to ruin the concerts and no drought to curtail the fireworks, Houston’s annual Freedom Over Texas festival has been expanded into what promoters call an “extraordinary extravaganza” — a day-long series of Independence Day concerts and amusements meant to conclude with a “spectacular” fireworks display.
The festival exemplifies the sort of hyperbolic excess dear to the hearts of civic boosters everywhere. Washington, D.C. is promoting its own traditional fireworks as “spectacular,” and of course New York City will be “displaying its patriotism through massive fireworks.” Boston intends to celebrate “in a big way,” while San Francisco will provide “magnificent” and “breath-taking” sights. Not to be outdone, San Diego, Key West, Little Rock, and Huntington Beach have upped their game, promising to rival even the nationally televised shows. Every year, program planners around the country seem determined to live by the well-known rule: “Go big, or go home.”
Grain Elevator in Floydada, Texas
Yes, indeed. It’s that time again. About every two years, as summer settles in with its attendant annoyances — heat, mosquitos, politicians who drone on more loudly than cicadas — the urge to re-post one of my all-time favorite stories overtakes me.
Whether you’ve read this humorous tale once (or twice) before or whether you haven’t, I hope you enjoy both the story and the song. Some say humor is the best medicine, and I suspect we all could use a dose or two at this point.
It’s a flat, expansive piece of Panhandle real estate, a land marked by impossibly distant horizons and days barely distinguishable one from another. Strangers develop a habit of looking around, as if to orient themselves. Even Texans who’ve grown up with the wind, the dust, and the storms say it aloud now and then, as if to remind themselves: “This place will run you nuts, if you let it.” Continue reading