There should have been no reason to cry.
In the house on the road to the Amite river, with memories of Verlinda Harrell’s ferry stirring in the breeze and the old Baton Rouge-Springfield road still leading down to the crossing, the pace of life was slow — easy and enjoyable.
Part of a world perfectly designed for childhood wandering, its Spanish moss-draped oaks invited climbing, and the tire dangling from its sturdy limb seemed to demand swinging. On cots arrayed across the screened-in sleeping porch, we dreamed our dreams on mattresses filled with moss in the sweet, magnolia scented air. Continue reading
That midwestern “painted desert”
In a previous post, I presented one of the world’s imaginary selfies as a painted desert. It was, of course, an intentional trick, since there aren’t any painted deserts in Kansas. Using the phrase as a metaphor to describe what I’d found simply was an way to temporarily disguise a wonderful and wholly unexpected reality, giving readers a chance to make their own guess about its identity.
If I’d posted a different photo, and called it a Kansas dune, identification would have been easier. On the other hand, even when I started seeing these dunes — or mountains, as some call them — in the south-central part of the state, I had no idea what I was seeing. Piles of red laterite soil came to mind, but there’s little laterite in Kansas, and no evidence of it on the gravel roads threaded through the state. Road construction clearly wasn’t the answer, but I couldn’t come up with an alternative.
Egg dyeing; a surfeit of candy; patent leather shoes; fancy dresses in pastel colors; white gloves, and hats decorated with straw flowers: such were the traditions of Easter during my childhood, and I loved them all.
Only one aspect of our celebrations held no appeal: the appearance of the ubiquitous Easter lily. Its image adorned greeting cards, church bulletins, and the Easter Seals we affixed to letters and bill payments, while live plants filled store aisles, appeared at the front door in the hands of well-meaning neighbors, and nearly outnumbered worshippers on Easter Sunday.
Everyone said they were beautiful. It’s true that they were pretty enough, but what others called their fragrance, I thought of as their odor. In my twelve-year-old opinion, eau de skunk would have been preferable.
Roseate spoonbill at Olney Pond
(click for greater clarity)
The morning seemed unusually quiet. At the edge of Olney Pond, a single spoonbill stirred the water, swinging its bill with a pendulum-like rhythm: shrimp, fish; shrimp, fish; shrimp, fish. Glossy ibis, long-billed and svelte, picked over their sandbar like latecomers to brunch. Only the stilts, hidden among the rushes and reeds, shredded the silence with their sharp, clean yips of warning and complaint.
In the rising heat, clouds bubbled and built before bending to the will of the winds. Distracted by their shifting shapes, I barely noted the soft, muted sound behind me. Then, I heard it again: the sound of a pillowcase being snapped and shaken out before being pinned to a clothesline.
While considering the possibilities — Alligator? Hunter? Frogs? — I heard the sound again: closer this time, and more resonant. Suddenly, with a fluttering of wings and loud, croaking cries, a great egret dressed in breeding plumage landed at the edge of the pond.
(Click to enlarge)
Had T.S. Eliot lived in coastal Texas, he might have chosen August rather than April to be his cruelest month: bringing, as August does, a wasteland of over-heated concrete, limp vegetation, and silent birds.
Picking lethargically at their food, the birds show little more interest in the world around them than their increasingly silent, sighing human companions. Caught between memories of the delicate, blooming spring and desire for October’s cooling winds, spirits grow dull, insensate: failing to revive even when washed by overheated rain. Continue reading