As a child, I never slept through a story by Hans Christian Andersen. Whether the tale was light and playful (“The Princess and the Pea”) or darker, more complex, and just a little disturbing (“The Tinderbox” or “The Child in the Grave”) I loved them all. Sometimes I longed to live in such magical worlds. Just as often, I laughed at the silliness they contained. Occasionally, I responded to the poverty, rejection, illness and death woven into the stories with puzzlement and fear.
Eventually, the darkness lurking around the edges of Andersen’s tales became more understandable. His own life had been difficult. Born to poverty, he was ridiculed in school, and experienced terrible unhappiness there.
Even after he achieved success and a degree of fame later in life, he remained socially awkward, often irritating those who wished to serve him as benefactors. Invited to stay at the home of Charles Dickens for two weeks, he stayed five, even after some gentle and not-so-gentle attempts to dislodge him. Eventually, he was sent packing by his out-of-sorts host. Dickens never replied to another of Andersen’s letters, and by all accounts, Andersen never understood why.